Playlist
Travel Music for Vlogs and Road Trips
Audiosocket's travel music collection is royalty-free travel and adventure music that pairs roots rock and contemporary folk road songs with post-rock, world and downtempo textures. Percussion, electric guitars, keyboards and acoustic parts drive most tracks; the mood runs happy and open-road, as in Jetty Rae's Coast to Coast and Jef Joslin's Come Out West. Tracks average over four minutes, so travel vlogs and long drone sequences rarely need a loop.
16 tracks1 hr 12 minUpdated Oct 8, 2026
About this Playlist
Mostly vocal: roughly four in five tracks are sung, with a small instrumental set that includes Aberdeen by Michael Ayars and Drift by PC Synergy. The vocal songs from Jetty Rae, Keith Johns, Brother Wild and Jef Joslin suit montage and drive sequences where nobody is talking, while the instrumentals are the ones to reach for under vlog narration or interview audio. If you need a fully instrumental travel bed, use the instrumental filter across the wider catalog.
The two share a few road songs, including Maps & Plans by Keith Johns and Crosses by Stephen Kellogg, but this travel collection widens the palette. Alongside roots and indie rock it adds contemporary folk, Celtic Irish folk, world, post-rock, downtempo and electronic tracks, brings in chill and ambient moods, and includes instrumentals where Roots Rock is all vocals. Tracks also run longer on average, which suits travel vlogs and scenic footage; pick Roots Rock when you want bar-band punch for a truck or beer spot.
Adventure music here is not the same as epic trailer music. The adventure music in this collection is acoustic-and-electric rock and folk with happy, exciting or inspiring mood tags, not orchestral trailer scoring; only a couple of tracks carry a dramatic tag and no brass or hybrid-trailer elements appear among its lead instruments. Songs like Adventure by Save The Arcadian, Leave It All Behind by Brother Wild and Off The Grid by Jetty Rae set the tone, sitting under travel vlog and road trip tags, which is why tourism spots favor them over cinematic bombast.
Usually without a loop: tracks average around four and a half minutes, longer than most stock cues, so a three-minute drone flyover or destination montage can ride a single piece from take-off to landing. Percussion, electric guitars, keyboards and acoustic parts carry most tracks, with world instruments and handclap stomps on several, giving a forward motion that pairs well with moving camera. For 15- to 30-second tourism ads, cut a chorus section and let the ending land on your logo.
Dispute it by stating that the track was licensed through Audiosocket. Content ID claims can occur even on properly licensed music, and every track here is cleared for monetized YouTube video, social, ads and client work under the license purchased. Keep your license record handy for the dispute; because each license is perpetual for that finished video, a claim on an older upload is handled the same way whether or not your subscription is still active.