Playlist
Snow Music for Cinematic Winter Films
Snow music at Audiosocket means cinematic music for snowfall, mountain landscapes and cold-weather travel: mostly instrumental post-rock, emotional film cues and downtempo electronics. Layered electric guitars, keyboards and electronic textures build over steady percussion, with strings and mallets adding shimmer, in the lineage of Explosions in the Sky and Sigur Ros. Most tracks are instrumental, so they sit cleanly under narration in ski films, winter documentaries, holiday ads and timelapse intros.
36 tracks2 hr 1 minUpdated Oct 8, 2026
About this Playlist
Almost entirely. Roughly nine in ten tracks are instrumental, including Ascent by Modo Stare, Awake From A Dream by Bastian, Don't Look Down by Egadz and Sunsets in Apartment D by Michael Ayars. A small number carry vocals, such as The Summit by BH and As We Are by ChokoDiscoManiac, so check the track listing if you need a completely wordless bed under narration. Most of the collection will sit under a documentary voiceover without competing for attention.
The winter feel comes from texture and space, not sleigh bells. These are post-rock, cinematic and downtempo tracks led by electric guitars, electronic pads and keyboards over steady percussion, with strings and mallets adding a cold shimmer, in the manner of Explosions in the Sky, The Album Leaf, Sigur Ros and M83. There are no carols or holiday-genre songs here; the dominant moods are inspiring, ambient and dramatic, which reads as open landscapes, falling snow and altitude rather than festive cheer.
Both, though the balance tilts toward build and atmosphere. Alongside the ambient and dramatic cues there is a real share of exciting and swagger-tagged material, drawn from the electronic, hip hop and trip hop tracks in the set, so a ski or snowboard edit can move. Titles like Ascent, The Summit and Don't Look Down show the mountain framing the curators had in mind. For a full run, pair a slow post-rock opener for lift and summit shots with a higher-energy track for the descent.
A Content ID claim can appear on any video that uses licensed music, including these tracks, because YouTube matches audio automatically. It does not mean you are in the wrong. If a claim shows up, dispute it through YouTube and state that the track was licensed through Audiosocket. Your license already covers monetized YouTube video, and that is the basis of the dispute, so keep your license record handy when you upload.
Tracks average a little over three minutes, which is long enough to score a full timelapse sequence or a multi-shot landscape montage without looping, and most are tagged for documentary, intro and outro and timelapse use. Because so much of the set is post-rock in the Explosions in the Sky tradition, arrangements tend to grow over their length rather than open at full intensity, so for a short intro take the final minute or cut on the last swell rather than the first bar.